Let’s take a look to the Uncharted World of Stefania Lucchetta.

Trained in traditional jewelry-making techniques, Italian artist Stefania Lucchetta began using 3D software and rapid prototyping machines as part of her studies in industrial design. She started her practice in 2002, applying these industrial techniques to unexpected materials including polyamide, biocompatible resins, Stellite, and titanium. The resulting sculptural pieces, which may recall the machine age, organic chemistry models, or even Japanese lanterns, challenge the preconception that the artist and the machine are always at odds. Lucchetta continues to research the application of new technologies to jewelry design in her quest to create wearable signs and symbols that capture the essence of our times.

Stefania’s creations, or better, creatures, perfectly represent this interlacement of singular and multiple forms, going towards a long survival as they own the stigma of a far origin refined into the aesthetic qualities of forms growing the ones on the others, and keeping in themselves all the experimentations which gave birth to the following image. Silver and titanium forms, also expanding in expressive colors, go towards a full and lively vital manifestation.